Since today is Trinity Sunday, I thought I would make mention of how the number three can be used in music, as you’ll see in a few examples this morning. First off, composers can use the number three in the designation of which key they choose to write in. Sometimes you’ll see at the beginning […]

Phillip Wilby, British organist, composer, and conductor has gifted the world with what I think to be one of the best musical settings of verses 15-18 from the Gospel of John. It’s a befitting text for today which is Pentecost. The name Pentecost comes from the Greek word pentekoste which means fiftieth. The holiday is […]

Our offertory anthem has meant so much to so many. A quick Google search of F. Melius Christiansen’s setting of “Beautiful Savior” will reveal its profound significance in the world. Every Lutheran and choral director knows it. What are the ingredients that make this work so appealing? If only I could bottle that ineffable delectability! […]

Great compliments are wordless. This has happened twice in my life. The first time it happened, I was a freshman organ major at the University of Alabama. Whilst playing in a masterclass, I performed the first movement of Bach’s famous Trio Sonata No. 1 in E-flat major. It’s the piece that I’m playing this morning. […]

Imagine remaining in love all the time. When we think of romantic love, we say one has fallen in love. What a beautiful image, falling. For the longest time, I felt a need to advance in my life. That itch grew in me over the last few years. So, I began a search. I started […]

The image of The Good Shepherd has spurred many compositions. Next to Christmas and Easter music, I think a close second, in terms of output, are the compositions that are centered around the words of the 23rd Psalm. Who doesn’t love this Psalm, or the images it evokes? All of thematic elements of God, as […]

The composition of Messiah, the complete 260-page oratorio, began on August 22, 1741, and was composed in just 24 days, when Handel finished the final orchestration on September 14, 1741. Handel composed Messiah without getting much sleep or even eating much food. Today’s offertory is a short movement from the last part of that monumental […]

What a glorious Holy Week and Easter! We’ve sung so much music, I can hardly keep track of it all. Next week, I’ll return to my usual commentary about specific pieces, but today I’d like to express my general gratitude for the choir, for their hard work, and for all their dedication over the last […]

I was first introduced to our offertory piece while in college. Its arranger, Arnold Sevier, was a guest at The Moody School of Music at the University of Alabama when I was just a freshman in 1994. The music was still in manuscript when we performed it with the composer at the piano. This arrangement […]

Today’s offertory is a quirky piece by Italian composer, Niccolò Zingarelli. I had never heard it before until I was enthusiastically introduced to it by our rector. We’ve sung it in years past, as it is befitting for the fourth Sunday of Lent, known as Laetare Sunday. The term “Laetare” comes from Isaiah 66:10, “Rejoice […]