Soli deo Gloria!

Proper 24

Both of our anthems today have the same sentiment. Our offertory is by Christopher Tye, an English Renaissance composer who not only served as music director at Ely Cathedral but was an adviser and musical instructor to King Edward VI. He later became a clergyman and ceased composing altogether. I believe his music to be […]

Proper 23

John once asked me to do some “ruffles and flourishes” on a hymn. That means to add what amounts to child-like graffiti to a “normal” hymn. Artists love to whip up swirls and embellishments that buzz the senses. Sometimes, you might get goosebumps. Your attention gets enraptured, and it seems like you get a glimpse […]

Proper 22

Today I’m playing a piece by Bach called “These Holy Ten Commandments.” It’s some of his finest work. After a little intro, you’ll hear the melody in cannon, played on the oboe stop. A canon is a musical technique whereby a melody can be played with itself but delayed in time. It’s like Row, Row, […]

Proper 21

Today’s postlude is a spicy number by Edward Bairstow, that I am playing for the first time. While I’ve enjoyed learning this piece, it has given me fits! Bairstow was an English organist, conductor, and composer who spent most of his career at York Minster from 1913 until his death in 1946. Since I’ve been […]

Proper 20

Spirituals are a treasured part of Americana. I adore their iconic intimacy although the way they have evolved has taken them on a distant journey from their humble roots. The slaves, who sang these songs usually while working, likely never thought that in the 2023, “highfalutin” arrangements of their music would be sung in opulent […]

Proper 19

I’m a glutton for Handel’s music, but I often compare him to Bach. I’m torn because I adore them both. Bach’s music is cerebral, profound, and contemplative. Handel’s music is grandiose, opulent, and has more of an overt flair. Bach was considered passé, he died in relative obscurity, and he didn’t have hordes of adoring […]

Proper 18

Today’s prelude is a piece by Canadian composer and organist, Denis Bédard who was born in Quebec City. He has served at various churches throughout Canada and as a composer is well-known. His most recent appointment was at Notre-Dame-du-Rosaire de Vancouver, a position he held for 20 years and from which he retired in 2021. […]

Proper 17

Competent organists used to be a dime a dozen, and now they are a rare breed. Even rarer are young organists. I used to be one of those rare breeds, a unicorn really. I never realized how special it was to be one of those people who never had a “real job.” Mrs. Gros, my […]

Proper 16

Today we’re singing one of John Rutter’s most popular pieces. It was published in 1980, and I’d venture to say that most churches have this piece in their choral library. Surprisingly, we did not. Every choral director knows it and has performed it; although, some of my snootier colleagues would deny it. It has a […]

Proper 15

William Harris is a big name in Anglican church music. He was a well-known composer and conductor. In 1933 he was appointed at St. George’s Chapel. During that time, he conducted at two coronations. One in 1937 for King George VI, and then for his daughter, Queen Elisabeth in 1953. The world would not see […]